Visiting Hours
Visiting Hours is a gentle reminder that life is short, so we should make the most of every moment.
It highlights our wish to hold onto every happy moment, even though we know it won’t last forever. Picture flowers that never wilt, moments that stretch on forever.
It brings to mind the end of friendships, aging parents, our kids growing up, and wanting to pause time because they’ll change next time we see them. It reminds us of friends who have passed away, the shifting seasons, and our own mortality. But most importantly, it encourages us to find joy in each moment.
- Jon Joffin
Visiting Hours music video is a beautiful cinematic collaboration, shot by Jon Joffin, ASC on the RED V-RAPTOR [X] with Zeiss and Angénieux lenses, bringing the song and story to life with stunning and dynamic visual detail.
“I’ve worked on projects where shooting a lot of blue made it nearly impossible to recover the colors—it always felt weak. But for this piece, we went bold, especially with the scene of them running in the rain. We pushed this intense chrome yellow colorway, going so far with it that I was worried it might fall apart. But in the end, it all came together beautifully—it was like the colors were singing.”
“I love the way the camera handled flashes—I’ve never been able to shoot them like this before. At the nightclub scene, the strobes were rock solid, with no strobing or banding. In editing, everything was seamless—we didn’t have to cut around it, and it all just worked perfectly.”
“Most of the piece was shot with Zeiss Radiance lenses, but for key moments, like a dreamy close-up, we used the Angénieux zoom—it was so buttery and smooth.”
“In a foggy forest, I stumbled on this shot—the trees seemed to move in time with the song I’d been hearing in my head. It was such a lucky find.”
- Jon Bryant
- Jane Renee Sigouin
- Dan Justin Rapaport
- Choreographer Justine A Chambers
- Producer Brian Dick
- Director/Cinematographer Jon Joffin, ASC
- Second Unit Cinematographer Mitch Baxter
- Editor Nathan Young
- Finals Colorist Tony D’amore
- Camera Operator John Clothier, Ryan Monroe
- 1st Camera Assistant Quinton Lai
- 2nd Camera Assistant Josh Engel
- DIT Ryan McGregor
- Head Tech Olly Bian
- Crane Tech Stephen Walsh
- Still Photographer Edward Yin
- Assistant Director Paul Kalkman
- Assistant Director Krystal Kreye
- Production Designer Sandy Heidebrecht
- Costume Designer Janet Ross
- Gaffer Todd Lapp
- Best Person Sam Khashan
- Console Op Kelvin Dylla, Dane Brown
- Lamp Op Kevin Wood, Chris Dignan, Renee Kress, Chris Jones
- Key Grip John Westerlaken
- Dolly Grip Sam Silvera
- SPFX Jak Osmond, Eric Philips
- Make Up Michelle Stephen
- Hair Jaspreet Panesar
- Underwater Camera Operator Braden Haggerty
- Underwater Safety Roberta Cenedese
- Underwater Grip Connor Lucas
- VFX Producer/Supervisor Harshid Harshid
- Mountain Guide/Safety Ray Mason
Visiting Hours
